Dimensions of studio Control Room: 14 X 16 (Designed by Frank Comentale)
Studio: 17 X 22 (Designed by Frank Comentale).

Mixing Console Neve 8068 Mark II with NEVE FLYING FADERS (Martin Technologies).

Tape Recorders Studer A80 24-Track, MCI JH110 1/2 & 1/4 inch 2-Track, (2) Sony Digital DAT, (1) Denon DN-770R dual record deck.

Monitor Amplifiers Perreaux 8000C Amplifiers (Mains), David Hafler 500 (Headphones), David Hafler 200 (Headphones), Dynaco Premium Ultra's (Talkback).

Monitor Speakers Altec Big Red's w/custom construction, Yamaha NS-10's Studio Monitors, Tannoy PBM 6.5 Near Fields, Auratone Nearfields.

Computers Mac G4 w/Digidesign's ProTools V 5.2.1 with 120 GB Firewire HD and Steinberg's CuBase VST 24 Direct to Hard Disk Recording and Pro Digital Mastering.

Reverb & Delays (2) BELDelays (BD80,BD240), TC Electronics TC-2290 & M-2000 digital multi-effects processor, Lexicon PCM 41 & PCM 42, EMT 240-Gold Foil reverb, (2) EMT-140 Plate's (TimeLord Modified for stereo), EMT 251 Digital reverb (250 program), Eventide H-3000, Marshall Tape Eliminator, Quantec Room Simulator.

Microphones Neumann U47 Tube, (2)M49s, M49B, (3)U67 Tubes, (2)U47 FETs, (2)U87s, KM86, (2)KM84s, Beyer Sound Star; AKG D12s, 452s, 414s, 95) Shure SM57s, Shure SM7s, Sony C37 Tubes, Sennheiser 421s, (2)EV RE20, Sen. MD504, (2) Altec Saltshaker Microphones.

Compressors & Gates (2)Neve 2254 Limiter/Compressors, (2)Neve 32-264 Limiter/Compressors, (2)Urei 175-B Tube Compressors, (4)Universal Audio LA-3a Compressors , (2) Inovonics Compressors, (2) Universal Audio 1176 Compressors, (2)Neumann U473sp Limiter/Compressors, (2) Empirical Labs EL-8 Distressors, Altec 1591-A Compressor/Amplifier, (1)Demaria 1000 Compressor,
(1) RCA BA6A Tube Compressor (modified by Matt Wells-NYC), (1) Gates SA-39b Tube Compressor (modified by Matt Wells-NYC), (1)Gates Stay Level Tube Compressor (modified by Matt Wells-NYC), (8) Drawmer Gates.

Other Outboard Equipment Avalon Vacuum Tube 737, (9) Pultec Tube EQ's, DW Fearn Tube Mic Pre-Amp, James Demeter Tube Direct box, (8) Simon Systems Direct Boxes, (2) Acoustilog DI Boxes, (4) Pro-Co Direct Injection Boxes, Roger Mayer Supervibe, Cimema Passive Pro EQ, Antaries Autotune (rackmounted and plug-in).

Midi Gear Roland D-50, Alesis D4 Drum Module, Korg Wavestation AD, Emax Planet Phat sound module.

Musical Instruments

Guitars: Fender custom Stratocaster, Fender PJ Bass, [2] Gibson Les Pauls, Rickenbacker Guitar, 1964 reissue Danelectro Guitar, Guild Acoustc Guitar, Gretch Duo Jet, VOX Spitfire , Baldwin Baby Grand Piano, Hammond RT3 Organ and Leslie tone cabinet.
Drums: Ludwig Vista-Lite 5 Piece, Complete Gretsch Kit Available, Noble & Cooly Snare, Gretsch Snare.
Amplifiers Ampeg B-15, Ampeg Jet, Fender Super Reverb, Fender Tremolux, Fender Bandmaster, Fender Original 1959 Bassman, Fender Princeton Reverb Amp, Fender Fullerton California, James Demeter Studio Series, JMI 10 watt (VOX), Marshall 50 watt JMP, Marshall reissue of Plexi, Marshall JCM900 & 4 X12 Cabinet, Ampeg B-15, Selmer Truvoice Bassmaster Fifty, Selmer Truvoice Treble-n-Bass Fifty, Selmer Stadium, Selmer Zodiac Twin Thirty, VOX original AC 30, AC 15, and AC 10, Watkins Dominator, Watkins Westminster, Watkins Joker.

Full Lounge

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Most studios today offer a lot of the same things, a nice sound-proof room with a 24 or 48 track console and Pro-tools; but what most studios don't know is that sometimes a good song can be great, but it isn't. The problem? The arrangements. We've worked on songs that weren't quite clicking musically. Whether it's moving up a chorus or fixing a bridge...having the knowledge of musical arrangements can be a tremendous asset. Thirty years of experience can't hurt. Where quality doesn't cost, it pays!